How to Be a Living Statue

Find a pose that is easy to maintain. Since you’ll largely be standing still, you need to find an easy pose, at least at first. Exert only a small amount of energy by relying on your bones to hold you up, instead of relying on muscles to keep you in a contorted position. Keep your arms low and close to your body, feet shoulder-width apart, and avoid contorting your torso.^[6]

• Don’t force yourself to balance in an uncomfortable position. If you’re just starting out, you could even incorporate a chair or the wall of a building into your positions, to help support your body weight.
• As you become more used to working as a living statue, you’ll develop patience, and you’ll learn to ignore small distractions from your body, including minor itches or a building sneeze.

Change your pose often. Although a practiced living statue can hold a single pose for over two hours, a beginner will find it difficult to hold a pose for 15 minutes. You can make gradual movements to switch poses: lower or raise your arms, bend at your waist, straighten your back, or try innovating new positions on your own. Shifting poses frequently will prevent you from developing cramps or falling over.

• Conversely, sudden and dramatic movements can take your audience by surprise and wow them. By interspersing dramatic arm and torso movements into your living-statue routine, you can give yourself opportunities to move and to further engage the audience.

Breathe deeply and without movement. Control your breathing when you’re trying to hold a pose for a long period of time. Breathe deeply and slowly into your abdomen, then your chest. As your breaths slow, it will create the illusion of total immobility, which will impress audience members.

• For some living statues, the experience of standing perfectly still and breathing slowly can begin to feel like meditation. Time can pass quickly in this state, so don’t forget to look at your watch from time to time.

Choose an action to perform. When a human statue comes to life, it’s common for the performer to perform an action or give something away.^[7] What you give away doesn’t have to be tangible; it can be something as simple as a glance or gesture. However, your action or gesture needs to be meaningful; it should be a moment in which you connect with the human being in front of you and look them in the eye.

• If you have a talent, use it. For example, you can draw in viewers and surprise audience members by blowing bubbles, creating origami, performing coin tricks, or playing an instrument.
• If someone leaves money, you can surprise them by performing an action: blow a kiss, tip your hat, or take a dramatic bow.

Select a good location to perform as a statue. If you’d like to be seen by as many passers-by as possible (and consequently receive as many tips as possible), you’ll need to select a location with a high level of pedestrian traffic. Street performers commonly set up along walking malls, large sidewalks and street corners, or in large public parks or gardens. Make sure to avoid areas where “No Busking” signs are prominently posted.^[8]

• You’ll also need to confirm that you can legally perform and solicit money in the area that you select. Generally, busking is legal on public property. Most large cities will have publicly available busking guidelines posted online. Consult these, or speak with other buskers to determine where you can and cannot perform.^[9]

Set out a hat or bucket for money. Living statues often work as buskers and rely on their performance as a part of their income. Passing pedestrians who appreciate your costume and talent will often linger and join other individuals to watch you in full statue costume. If you have a hat, bucket, or jar set out, appreciative audience members will drop in money.^[10]

• If you’re only planning to perform as a living statue as a hobby and don’t want to make an income from the work, you don’t need to put out a collections bucket.

Do not scare or jump towards children in the audience. Resist the urge to jump out at toddlers and young children to startle them. The idea of a large grey statue coming to life and frightening a child could potentially give them nightmares. If you treat your audience members—especially children—with hostility, your audience will soon stop giving you money.

• Some people dislike being near living statues and find them creepy due to their realism. If anybody complains, simply inform them that you are doing this as performance art, not to try to disturb people.

Protect your personal space from hecklers. Unfortunately, some individuals find it funny to harass, heckle, or otherwise bother and assault living statues. There are various ways that living can statues can discourage hecklers and protect themselves from hasslers.^[11] You can try various techniques, and find one that works for you and your costume.

• For example, when dealing with unruly teenagers or adults, jumping out and scaring them away can be a defense that allows you to stay in character. This applies to any people who try to touch you or generally treat you poorly.