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Italian Painting: Giotto

Giotto was one of the most revered painters of his time and an important bridge between the medieval and renaissance periods.

Learning Objective

  • Describe Giotto's use of naturalism, storytelling, and perspective in his work


Key Points

    • Giotto di Bondone was born during the late 1200s in the Florence region of Italy. He would go on to become one of the most revered painters of his time and an important bridge between the medieval and renaissance periods.
    • The Arena Chapel frescoes in Padua, which depict scenes from the life of the Virgin Mary and Jesus, are some of Giotto's best known masterpieces.
    • Scholars debate which works should be attributed to Giotto and which works should be attributed to his assistants or other artists working in his style.
    • Giotto's distinct contribution to the history of art was a return to a style that directly references the natural world; his paintings aimed to capture the realism of the human form.

Term

  • fresco

    The technique of applying pigment, mixed with water, to wet plaster. As the pigment and plaster dry they fuse together and the painting physically becomes a part of the wall.  


Full Text

Giotto

Giotto di Bondone was born during the late 1200s in the Florence region of Italy. He would go on to become one of the most revered painters of his time, and an important bridge between the medieval and renaissance periods.

The Arena Chapel frescoes were commissioned by the patron Enrico Scrovegni and depict scenes from the life of the Virgin Mary and Jesus. They are Giotto's best known masterpieces.  

Kiss of Judas

One of the most dramatic scenes from Giotto's Arena Chapel frescoes depicts the moment Judas betrays Christ by identifying him to Roman soldiers.  

Scholars debate over which works should be attributed to Giotto and which works should be attributed to assistants or other artists. For example, Giotto appears to have apprenticed with the Florentine painter Cimabue in Rome and may have been responsible for portions of the Chapel at Assisi. However, there is no documentation to confirm his work in Assisi.

Giotto's distinct contribution to the history of art was a return to a style that directly references the natural world, a style that had not been emphasized by Medieval or Byzantine painters. While Medieval and Byzantine styles favored flat, elongated figures and a lack of natural perspective Giotto returned painting to a style that aimed to capture the naturalism of the human form.  

Another strength of Giotto's work was his storytelling ability. He was skilled at selecting strong interpretations of Biblical stories and at drawing viewers to the most visually and spiritually rich aspects of the story. This focus on relationships between figures, as well as a renewed interest in perspective and life drawing, are some of the aspects that would become prominent in Renaissance painting.  

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