line depth

(noun)

the number of subcategories a product category has.

Related Terms

  • line consistency
  • product line
  • product mix
  • line vulnerability

Examples of line depth in the following topics:

  • Product Line Depth

    • Companies employ different strategies to expand their product line depth, which refers to the number of products in a specific product line.
    • A product line can contain one product or hundreds.
    • The number of products in a product line refer to its product line depth, while the number of separate product lines owned by a company is the product line width (or breadth) .
    • The former is a full-line strategy while the latter is called a limited-line strategy.
    • Describe the different tactics for implementing full-line and limited-line product strategies
  • Product Line

    • Line depth refers to the number of subcategories a category has.
    • Line consistency refers to how closely related the products that make up the line are.
    • Line vulnerability refers to the percentage of sales or profits that are derived from only a few products in the line.
    • The first is a full-line strategy while the second is called a limited line strategy.
    • Line-filling strategies occur when a void in the existing product line has not been filled or a new void has developed due to the activities of competitors or the request of consumers.
  • Product Line Breadth

    • The breadth of the product mix consists of all the product lines that the company has to offer to its customers.
    • What products will be offered (i.e., the breadth and depth of the product line)?
    • An individual product is a particular product within a product line.
    • The other three are the length, the depth, and the consistency.
    • Describe the relationship between product line breadth and the product marketing mix
  • Linear Perspective and Three-Dimensional Space

    • Not only was this use of perspective a way to portray depth, but it was also a new method of composing a painting.
    • Any objects that are made up of lines either directly parallel with the viewer's line of sight or directly perpendicular (the railroad slats) can be represented with one-point perspective.
    • These parallel lines converge at the vanishing point.
    • Like all other foreshortened variants of perspective, four-point perspective starts off with a horizon line, followed by four equally spaced vanishing points to delineate four vertical lines.
    • A perspective without vanishing points can still create a sense of depth.
  • Perceiving Depth, Distance, and Size

    • Perception of depth, size, and distance is achieved using both monocular and binocular cues.
    • Depth perception, size, and distance are ascertained through both monocular (one eye) and binocular (two eyes) cues.
    • Monocular vision is poor at determining depth.
    • When the input from both eyes is compared, stereopsis, or the impression of depth, occurs.
    • When an object moves toward an observer, the retinal projection of the object expands over a period of time, which leads to the perception of movement in a line toward the observer.
  • Contour Line

    • A contour line presents as a clean, connected line with no shading and emphasizes the open 'shell' of the visual subject.
    • The contour line is the simplest of the varieties of line.
    • A plain contour line presents as a clean, connected line with no shading and emphasizes an open 'shell' of the visual subject.
    • While contour lines create a path around the edge of a shape, cross contour lines follow paths across a shape to delineate differences in surface features.
    • However, because contour can convey a three-dimensional perspective, length and width as well as thickness and depth are important; not all contours exist along the outlines of a subject.
  • Conditions for the least squares line

    • When this condition is found to be unreasonable, it is usually because of outliers or concerns about influential points, which we will discuss in greater depth in Section 7.3.
    • The variability of points around the least squares line remains roughly constant.
    • 7.11: The trend appears to be linear, the data fall around the line with no obvious outliers, the variance is roughly constant.
  • The Radiative Transfer Equation

    • The increase in brightness is simply the integral of the emission coefficient along the line of sight.
    • Let's define, the optical depth,
    • The intensity field approaches the source function as the optical depth increases.
  • Linear Perspective

    • They have shrunk, in the distance, to the infinitesimal thickness of a line.
    • Perspective developed as part of a developing interest in illusionism related to theatrical scenery and detailed within Aristotle's Poetics as 'skenographia', or, using flat panels on a stage to give the illusion of depth.
    • When the building's outline was continued, he noticed that all of the lines converged on the horizon line.
    • Any objects that are made up of lines either directly parallel with the viewer's line of sight or directly perpendicular can be represented with one-point perspective.
    • These parallel lines converge at the vanishing point.
  • Variation of Pressure With Depth

    • Pressure within static fluids depends on the properties of the fluid, the acceleration due to gravity, and the depth within the fluid.
    • The pressure exerted by a static liquid depends only on the depth, density of the liquid, and the acceleration due to gravity. gives the expression for pressure as a function of depth within an incompressible, static liquid as well as the derivation of this equation from the definition of pressure as a measure of energy per unit volume (ρ is the density of the gas, g is the acceleration due to gravity, and h is the depth within the liquid).
    • For any given liquid with constant density throughout, pressure increases with increasing depth.
    • For example, a person under water at a depth of h1 will experience half the pressure as a person under water at a depth of h2 = 2h1.
    • As a result, pressure within a liquid is therefore a function of depth only, with the pressure increasing at a linear rate with respect to increasing depth.
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