Herrerian

Art History

(adjective)

A 16th century Spanish style characterized by geometric rigor, clean volumes, the dominance of the wall over the span, and the almost total absence of decoration.

Related Terms

  • Baroque
  • Manueline
  • Obelisk
  • Moorish
  • plateresque

(noun)

A style of architecture developed in Spain during the last third of the 16th century under the reign of Philip II (1556–1598) and continued in force in the 17th century, transformed then by the Baroque current of the time. 

Related Terms

  • Baroque
  • Manueline
  • Obelisk
  • Moorish
  • plateresque
World History

(noun)

An architectural style developed in Spain during the last third of the 16th century under the reign of Philip II (1556-1598) and continued in force in the 17th century, but transformed by the Baroque current of the time. It corresponds to the third and final stage of the Spanish Renaissance architecture.

Related Terms

  • Academia de Bellas Artes (A
  • Comedia
  • The Spanish Golden Age
  • Mannerism

Examples of Herrerian in the following topics:

  • Spanish Architecture in the Northern Renaissance

    • A new style emerged in Spain with the work of Juan Bautista de Toledo and Juan de Herrera in El Escorial, known as the Herrerian style.
    • Herrerian architecture was extremely sober, naked, and particularly accomplished in the use of granite ashlar work.
    • Regardless of the reasons behind the floor plan, its basic components, as well as the general exterior and main façade, conform to the austerity of the Herrerian style, making the structure appear more like a fortress than a palace or monastery.
    • The Monastery of Uclés is a prime example of Herrerian architecture.
  • Spanish Architecture in the Baroque Period

    • In Madrid, a vernacular Baroque with its roots in Herrerian and in traditional brick construction was developed in the Plaza Mayor and in the Royal Palace of El Buen Retiro, which was destroyed during the French invasion by Napoleon's troops.
    • The Churriguera family, which specialized in designing altars and retables, revolted against the sobriety of the Herrerian classicism and promoted an intricate, exaggerated, almost capricious style of surface decoration known as the Churrigueresque.
  • The Silo D'Oro

    • The Cathedral of Valladolid: Like all the buildings of the late Spanish Renaissance built by Herrera and his followers, it is known for its purist and sober decoration, its style being the typical Spanish clasicismo, also called "Herrerian."
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