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Concept Version 9
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Romanesque Sculpture: Tomb of Rudolf of Swabia

The tomb of Rudolf of Swabia is a prime example of Romanesque sculpture.

Learning Objective

  • Describe the expressive Romanesque artistry on the tomb of Rudolf of Swabia.


Key Points

    • Rudolf of Rheinfelden was the alternative king, or antiking, for the politically oriented anti-Henry German aristocrats. He died during the Great Saxon Rebellion in the late 11th century.
    • Rudolf's tomb sculpture reflects the Romanesque love of inventive surface patterns and an expressive approach to the human body, using elongation, unnatural poses, and emphatic gestures to convey states of mind.
    • The intricate metalwork on Rudolf's tomb is also indicative of Romanesque sculpture.

Term

  • Romanesque

    Refers to the art of Europe from approximately 1000 CE to the rise of the Gothic style in the 13th century or later, depending on region.


Full Text

Background

Rudolf of Rheinfelden (c. 1025 – 15 October, 1080) was Duke of Swabia (1057–1079) and German Antiking (1077–1080). He was the son of Count Kuno of Rheinfelden and eventually became the alternative king, or Antiking, for the politically oriented anti-Henry German aristocrats. This rebellion became known as the Great Saxon Revolt. He died as a result of battle wounds as his faction met and defeated Henry's in the Battle of Elster.

Tomb of Rudolf of Swabia

Rudolf of Rheinfelden's tomb, located at the cathedral of Merseburg, is a fine example of Romanesque sculpture. Sculpture of this era is marked by a love of inventive surface patterns and an expressive approach to the human body, using elongation, unnatural poses, and emphatic gestures to convey states of mind. Rudolf's tomb reflects these characteristics: the sculpture of his body is elongated and lies with a scepter in one hand and an orb in the other, symbolic of the royal title he claimed but never held in life. He is depicted in royal garments and a crown.

The material used to construct the tomb also reflects the high status of metalwork in Romanesque sculpture. Indeed, precious objects constructed from metalwork, enamelwork, and ivory carried a much higher significance than paintings during this time. Metalwork, including decoration in enamel, became especially sophisticated during the 10th and 11th centuries. Rudolf of Rheinfelden's tomb reflects this aesthetic with its bronze relief of Rudolf's body encased inside of a raised border edge. An inscription is also etched into the border, demonstrating the metalworking skill that went into the construction of the tomb.

Tomb of Rudolf of Swabia

The tomb of Rudolf of Swabia is exemplary of Romanesque sculpture.

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